It’s a great project, and the work to help this artist to be known in France. L’artiste brésilien Henrique Oliveira nous emmène dans son monde organique, où les sculptures de bois se font géantes, sans toutefois être oppressantes. Is it something we do for ourselves, but knowing that someone else will see it. Your work unintentionally has an emo- tive repercussion on the viewer after experiencing the work. Initially a painter, Oliveira was inspired by an old wooden fence he saw through his window across the street from his studio in Sao Paulo. I had 2 or 3 months before the Opening to start on my exhibition. 2014 World Cup Controversy: Fails, Scandals and Mishaps, Barry Underwood's Magically Surreal Photography, What Stephen Hawking Thinks Threatens Humankind The Most, 27 Raw Images Of When Punk Ruled New York, Join The All That's Interesting Weekly Dispatch. With your work mostly site-specific, what is your process of approaching each project? Prenant la forme de peintures, sculptures ou installations, l’art hybride d’Henrique Oliveira convoque à la fois l’urbanisme et le végétal, l’organique et le structurel, mais aussi l’art et la science à travers des compositions où l’inattendu génère un univers teinté de fantastique. Some stirs were broken, had jagged edges and they resemble the kind of dynamics that make me think about brushstrokes. It is very good when this can happen. I did another two months backpacking around Europe when I was 19. It took me 5 or 7 years to get used to Sao Paolo. Henrique OLIVEIRA, Researcher | Cited by 547 | of Institute of Telecommunications, Lisbon (IT) | Read 34 publications | Contact Henrique OLIVEIRA Did visit the Centre of Arts and Nature before this? Is this when you were invited to Paris by the SAM Art Projects? Tell us more about the material you use, tapume. brazilian artist henrique oliveira occupies the vast gallery expanse of the Museum of Contemporary Art, University of São Paulo with 'transarquitetônica', his … In Baitogogo, I deliberately recreated the wood going back into nature. Each one of them can’t go unnoticed as they are an incredible artwork to appreciate. We are cultural beings. In Portuguese, the word means “boarding” or “enclosure,” and often refers to the scrap wood used to create temporary scaffolding and fences at construction sites. The work also deals with this idea of controlling life and the impossibility of controlling life. I think this is an essential question. I would take them from construction sites where this plywood had been used as a fencing material. I was saying that my work has a really strong relation to nature, and this could be from my hometown where I grew up, where I was kayaking and camping. You can see the bizarre work, along with some of Oliveira’s paintings, in the images below. In Brasil they produce these wood boards in a very cheap way. We look forward to visiting your installation at the Centre d’Arts et de Nature. I work with what the curator proposes – a room, or a gallery, or maybe a building outdoors. The sculptures I do are similar to installations, but on a smaller scale, and are produced in a different way. HENRIQUE OLIVEIRA | Yes quite abit. 5 août 2015 - Découvrez le tableau "Henrique Oliveira" de véronique boutin sur Pinterest. An image of nature, as it is not nature infact, it is only using natural materials. It is multi-lingual. I’m always adventurous so I agreed, but I did hate it in the beginning! For me it also had a symbolic meaning, particularly in the structure that I recreated where I reproduced the pillars and the white beams that were corrupted by the strange nature, the idea of controlling life and the rationality and irrationality. Conversation avec Henrique Oliveira, Galerie Georges-Philippe & NathalieVallois, 36, rue de Seine, 75006 Paris – FR. Henrique Oliveira’s artwork is unparalleled. The language of Oliveira’s work is inviting, easy owing, and connecting. Oliveira’s works do not sit, nicely displayed, in a room nor do they invite quiet contemplation. I was in Paris doing a residency project, for a project at the Palais de Tokyo. I ended up going to the Middle East, Egypt then Canada. Profile von Personen mit dem Namen Henrique Oliveira anzeigen. Henrique Oliveira, Canapé, 2015 Technique mixte — 180 × 115 × 130 cm Courtesy Galerie GP & N Vallois, Paris Objets de rebut, éléments naturels, dénuement des matériaux… ses créations entretiennent une relation étroite avec l’Arte Povera. Pièce unique / Unique piece, Courtesy Galerie GP & N Vallois, Paris; Henrique Oliveira, Sans titre, 2015, Technique mixte sur papier / Mixed media on paper, 106 x 75 cm / 41 3/4 x 29 1/2 in. I also studied abroad, studying English for 6 months in Cam- bridge. Born in 1973, Oliveira received his BFA and Masters in Visual Poetics from the University of São Paulo. There is no information behind the works, in the sense that you don’t need to know something to understand the work. It is about 2 hours away from Paris. It’s elements are a reminder of society’s reliance on nature, and the artist’s dramatically modest approach is a comforting reminder of this. What moves me, when I am creating works, is that I never think about how people will view them. Henrique Oliveira BR. Fala Pessoal, Aqui é o Henrique Oliveira! I use other materials too. Using a variety of recycled materials, paint, and plywood, he creates artworks that draw the observer into a … Did you see the installation at Palais de Tokyo? It has an interesting history. It is nice though, that each viewer can interpret it in different ways. In July I went back to Sao Paolo to stay for 2 months, then needed to go to Frankfurt for another month, then back to Sao Paolo for another month. Whether observing his colorful paintings or walking through a larger-than-life installation, viewers are enthralled by both the immensity and the unique appearance of his paintings, sculptures and art installations. Transarquitetônica combined a variety of artistic techniques, including sculpture and painting. Il a étudié à l'université de São Paulo, dont il est sorti diplômé en 1997.Il développe depuis 2003 des sculptures de grandes tailles sur le thème du bois et du végétal. Brazilian artist Henrique Oliveira creates immersive sculptures and installations the likes of which we've never seen. Yes I never stop to do so. Do you think this is important for art to have some sort of affect on the viewer? It was a 6 month residency, to create a project and by that time the residency that was hosting me said they would prefer that I do my exhibition at the Centre des Arts et Nature the following year. The tapume is very hard to nd outside of Brasil, used plywood you can easily nd. They burst through walls, bulge and creep into space, drip, project, grow, and otherwise overtake and overwhelm wherever they happen to be. In Europe I have noticed that they don’t use materials which you can discard. I had a studio there, but later went back to Sao Paolo to start my career. They use them, but they get rotten very quickly. The work can speak to people that also don’t know about art or contemporary art. They invade. In the end of that year, in 1998, I went to study at the Sao Paolo University. Henrique Oliveira was born in Ourinhos, Brazil in 1973. Le béton cède et craquelle sous l’évidence implacable de sa force. Our past experiences are the stepping stones to where we are now. In Brasil they use this material because it is very cheap. CHAMP | You have been traveling a lot this year we have seen, especially for your work in Paris at the Palais de Tokyo and Centre d’Arts et de Nature in the Chaumont-sur-Loire. The castle there is very beautiful, and they have surrounding houses about 400m from the Chateau which are beauti- ful. Is it im- portant for you to use recycled materials and is this a conscious philosophy in your work? I attend to what I am curious to. Though the Brazilian artist lives and works in São Paulo, his work has crossed oceans, being displayed and installed in museums and galleries worldwide. Art is something that compliments the nature of the humankind. I had a similar situation when I was in the States last year, in Cleve- land. It is like a museum. Henrique Oliveira invente des formes oniriques traversées par la vie, à la façon dont le démiurge fait naître du réel ex nihilo un univers aux contours fantasmés. Tout en rondeur, en formes, en textures et en mouvements, ses créations immenses semblent sortir de … View the profiles of people named Henrique de Oliveira. Eve- ryone can enter and enjoy, and have a reaction somehow. La technique est toujours la même : du carton ordinaire, récupéré ou non, l’emballage de nos produits envoyés par Amazon, découpé minutieusement puis collé selon des gestes d’artisan. The paintings I do are more intimate in my studio. What attracted me to this material (tapumes) was that it performs like brushstrokes I am a painter, and when I was rst creating at installations that were more like a collage in texture, I was working with wood layers in a process that was very much created out of a painting procedure. When we first saw Baitogogo, it reminded us of architecture’s reliance on nature, with the two materials of manmade pillars and natural wood juxtaposed. The perfect residency! It is easy to see the connection, his adaptation and reuse of materials is completely original, with the pieces organically growing. They had 53 exhibitions, and they called all these exhibitions Nouvelle Vague. Maybe this is an important element to our daily lives and whatever work we are doing. He received a BFA in painting in 2004 and a Masters in Visual Poetics in 2007 from the University of São Paulo, Brazil. Ofcourse things are changing, and more and more they are substituting this tapume for more durable materials. In any context, the viewer can enjoy the works and then experience it’s message through experience. His biggest art installation has occupied the vast gallery expanse of the museum of contemporary art, University of São Paulo with ‘transarquitetônica’, his largest immersive installation to date. The artists stays for 6 months, and they work the whole time dedicated to the end project that is a solo show in an Institution in Paris. I have always been an observer of nature. This is not just a referral to the aesthetics of his work, but the way the work is created, processed and executed. I have done projects in the United States where I used found mattresses, rubber, metal scrap and other found objects. My mother pushed me to finish University, and I stayed studying social communication. McClain Gallery. Sa technique est aussi proche de celle du jardinier qui bouture et créé des figures du végétal, I have a sketch-book and I make sketch projects and ideas for imaginary places or generic places. I am curious to see the result of that action and what is going to happen when I create something. The relation with nature also. There is a whole concept that changes with each project , even if I keep the same material and same technique, the idea is always changing, just like life. Voir plus d'idées sur le thème sculpture, art, installation art contemporain. I came in January, and stayed in Paris until July. Apr 15, 2013 - Explore karakt's board "Henrique Oliviera", followed by 123 people on Pinterest. On a quick trip to London, we met the Brasilian artist at Duke’s in Mayfair, to converse in detail about his latest outside installation at the Centre d’Arts et de Nature in France, and his celebrated installation Baitogogo at the Palais de Tokyo in Paris. Né en 1973 à Ourinhos, SP (Brésil) Vit et travaille à São Paulo (Brésil) Œuvres; Biographie; Expositions; Conversations; Éditions; Actualités ; EXLP 18 2018 Huile sur papier mâché et grillage sur contreplaqué 100 x 75 x 24 cm. His paintings, too, dictate their own unique terms of viewing. Oliveira is so fond of the inexpensive, eco-friendly medium that he has even named various installations after it. Il est notamment connu pour ses œuvres Baitogogo, Bololô ou Transarquitetônica [1]. In this way, the work is accessible to everyone. Henrique Oliveira, Desnatureza, 2011 Henrique Oliveira est un artiste plasticien née au Brésil dans la ville d’Ourinhos en 1973. Yes, but I don’t always use the tapume. In 2013 at the Parisian gallery Palais de Tokyo, Henrique Oliveira used his signature tapumes and PVC piping to merge ordinary white posts into an intersecting, ethereal Gordian Knot. By means and form of the concept of the work, it goes back to this idea of nature. Whilst there, I had classes with another impor- tant teacher, a painter – whom I had classes with for 6 months. The University is like a town inside Sao Paolo. I recreate somehow the wood going back to it’s natural source. Interestingly enough, Henrique Oliveira often uses tapumes to create many of his installations. For a recent installation in São Paulo, Henrique Olivera built a massive structural work inspired by a plant’s root system. During the course I studied I took some painting courses with a friend of my mothers, because I had always been into drawing. Would you make art if you are sure nobody would see it? https://allthatsinteresting.com/henrique-oliveira-installations henrique oliveira is a brazilian artist best known for using tapumes, or 'fencing' in portugese, as a title for many of his large-scale installations. I’ve shown the paint- ings many times, but I don’t exhibit them as much as the installations as they are always made especially for an exhibition-basis. It’s a lovely place. I did a worldwide trip for 1 year and then I went back to Sao Paolo. Henrique Oliveira is fascinated by the interaction of man-made constructions and organic shapes. The surface of the material has the specific textures and memory of its previous use. Do you continue to do so? I go to Vancouver, and then to Miami soon. May 11, 2017 - Explore Alden's board "Henrique Oliveira", followed by 240 people on Pinterest. It’s an unusual description but one that makes sense when visually seen, as the artist transforms the wood he uses into a three dimensional painting. Source: Boulder Museum of Contemporary Art, Artist Henrique Oliveira Uses Tapumes To Create Masterpieces. I also work oppositely, and go to the space and see what can be done. Originally from a small town called Ourinhos, you currently live in Sao Paolo. I don’t find tapume anywhere in the world, so I need to import it. How did you begin to use the tapume, and recycle this wood in your work. Henrique Oliveira's installations to date have followed two dominant trajectories: corporeal imaginings, ... which is the result of scraping a spatula across the canvas, are techniques the artist no longer employs, thus dating the work to an earlier phase. They command. It’s an unusual description but one that makes sense when visually seen, as the artist transforms … Hailing from São Paulo, Brazil, Henrique Oliveira is an award-winning artist that has exhibited his work around the world. So you’re installation at the Palais de Tokyo, was part of the Nouvelle Vague show. Art in general, not just vis- ual art, music and literature for instance, they all have a purpose of complimenting the way human beings behave and need something else. Alors que le sculpteur enlève généralement de la matière, Eva Jospin, au contraire, en rajoute. This year I have been outside of Brasil, because of this residency of 6 months. They can be installed, or uninstalled many times. Join Facebook to connect with Henrique de Oliveira and others you may know. You mentioned you started working with oil and canvas. Henrique Oliveira. F.+33(0)1 43 25 18 80. www.galerie-vallois.com. Il étudia à l’université de Sao Polo et obtenu son diplôme en 1997. Please tell us more about this city. There is about 30,000 people living there, it feels like a little town. Built from repurposed wood called tapumes, the artwork was so immense that museum visitors could interact with the curved wood and crawl through the series of tunnels. Your heritage is quite prominent in the works, incor- porating your history into the works and sharing them inter- nationally, such as by using the tapume wood. In this case, I have plenty of time. Primarily describing himself as a painter, Oliveira started with oil on canvas and is now additionally working with his own uniquely created style of painting, with wood. Henrique Oliveira - Site do Artista Henrique Oliveira - www.HenriqueOliveira.com WORKS BIOGRAPHY TEXTS EXHIBITIONS NEWS CONTACT (home) Though different from his usual installations, one can easily see remnants of his personal style within the work. Perhaps going back to its natural form also. Henrique Oliveira est un artiste brésilien, né en 1973 à Ourinhos au Brésil. See more ideas about installation art, sculpture installation, sculpture. While this intricate installation is one of Henrique Oliveira’s larger installations, it is very indicative of the style he’s known for: obliterating the line between man and nature and transforming ordinary spaces into organic architectural feats. Henrique Oliveira, à travers ces tensions, ces forces vitales, donne sans doute à voir l’illusion que la nature reprend ses droits. 1,458 Followers, 3,704 Following, 1,133 Posts - See Instagram photos and videos from Henrique Oliveira (@henriqueoliveira1001) They use plastic, metal and other materials which are reliable. It’s a tendency that started with the invention of photography. Henrique Oliveira: In the last decades our lives have become so mediated by images. Slowly the side of nature came out and I got more into these organic constructions. We consciously and subconsciously know that other people will see it. It is nice to recommend artists and their works to others, but you really need to see most works in the flesh. They were creating a new building for the Museum of Contemporary Art, and I was able to start working before the building was nished. Henrique Oliveira, Canapé, 2015, Technique mixte / Mixed media, 180 x 115 x 130 cm / 70 7/8 x 45 1/4 x 51 1/8 in. It had been painted, so it had different aged colours. Interview Monique Kawecki | London Editor-In-Chief, Published in print issue Champ Magazine 8, Henrique Oliveira | Photograph by Norbert Muguletz, Chest of drawers, 2013 | Henrique Oliveira, Baitogogo, plywood and tree branches, 2013 | Photograph by Andre Monin, Baitogogo, plywood and tree branches, 2013 | Palais de Tokyo | Photograph by Andre Morin, Flash3, acrylic on canvas, 2011 | Henrique Oliveira, Parada dos Quasolitos, 2013 | Henrique Oliveira, Xilonoma Chamusquius, 2012 | Henrique Oliveira, Ursulinus Prolapse, 2013 | Henrique Oliveira. As part of the “Something from Nothing” theme, he and his group constructed a “cloud”–installed at the New Orleans Contemporary Arts Center–entirely from donated and recycled mattresses, stuffed animals and pillows. A very beautiful French studio with a glass facade.. (Laughs) Around the corner from many patisseries…. I am more comfortable to work in this situation. We create something responding to our own demands and our own wishes and curiosities. Cette adresse email est protégée contre les robots des spammeurs, vous devez activer Javascript pour la … Lunches are organised every month with gallerists, collectors, curators, other artists and journalists. Primarily describing himself as a painter, Oliveira started with oil on canvas and is now additionally working with his own uniquely created style of painting, with wood. After 6 months, the rain and the sun damage it and it starts to fall apart. It is a private residency. The place that I stayed in, was amazing. They sell for collectors mainly, whereas installations are more for institutions. Henrique Oliveira’s work crosses the genres of architecture and art, challenging perceptions and labels of sculpture and painting.